Hilh de puto or OMG! I had so much fun with this project. Truly a spontaneous affair. We had been so wrapped up in our respective working spaces that when dinner time came around Pierre & I realized that neither of us had roasted the chicken. He started by serving the aperitif and plugged WBGO via his iPhone into the stereo system. In a way I was happy we hadn’t roasted it because I wanted to film the cutting up of a chicken as I wanted to post it on the blog. While I set up the camera the radio played a piece that really caught my ear. I couldn’t place it in time; the pianist was so free and at the same time the arrangement was traditional. I got so excited, & high listening to this music — & no! I was not drunk, I just had one sip of my glass of wine!
It was “Luyah! The Glorious Step” the first track of Cecil Taylor Quartet’s CD Looking Ahead
Cecil hasn’t worked out all his style yet, but what he has already done is important and makes him, in one sense, ‘in the avant garde of everybody,’ as Martin Williams puts it. Most important is his emotional message. Much of the musical history of the Negro in America is in his work, but not as an anthology. He’s a new user of that basic language with his own additions to make.
Yeah! Emotional message for sure. I could feel it through my entire body. Also, for me this recording sheds a light on how the “avant garde” music I love so much happened. Never had I heard such an absolutely clear articulation of both ideas and form — and all the while I was cutting up my chicken! A metonymic epiphany of our “domopoetics” that feeds on explosive & uninhibited energies. And to counter-stretch with a metaphor (you must see the video to get that one) it is unequivocal to me that Cecil Taylor knows about finding the joint & firmly cutting down through it!
