Mementos of a Living Practice

Mementos of a Living Practice

From June 18 through July 3, 2026, Gallery 198, located at 198 24th Street in Brooklyn, presented MEMENTOS OF A LIVING PRACTICE, alongside Betsy Damon’s exhibition WATER, AGENT OF LIFE. Together, the two exhibitions brought our distinct practices into an ecological dialogue through art — press release.

My exhibition, MEMENTOS OF A LIVING PRACTICE, brought together paintings, photographs, films, drawings, field notebooks & texts emerging from two ongoing projects: Karstic-Actions & Bird-Stateartist statement.
These works emerge from two ongoing practices: Karstic-Actions & Bird-State. Karstic-Actions develop through live, full-body engagement with movement, balance, raw pigments, water & the immediate conditions of a performance. Bird-State grows from lived encounters unfolding over time—returning to specific places, observing closely, moving through landscapes, & engaging with birds and the more-than-human world through the body & the senses. Despite their contrasting forms, both practices begin in embodied attention & transform lived experience into material traces. In the context of the exhibition at Gallery 198, the works function as active mementos: not static records, but traces, residues & transformations of experience that carry the energy of those actions & encounters into the gallery space.

The exhibition opened on June 18 with a live Karstic-Action with Betsy Damon & accompanied by percussionist Ben Chadabe.

Opening Karstic-Action: Flow

Betsy offered the word Flow as the prompt for the performance, drawing from her decades-long engagement with water as a life-giving force & an agent of ecological and social change. Working with water, raw pigments, egg yolks, pastel, movement & embodied attention, I responded to the space, Betsy’s prompt & Ben’s live percussion. The action unfolded balance, rhythm, sound & material shaped the painting as it happened.

Karstic-Actions are an open-ended series of live action paintings I began in 2011. My body becomes an instrument within the work, often painting in headstand or through movements that shift ordinary visual orientation. Each action develops through the immediate conditions of the place, the materials, the collaborators & the moment.

Flow — Live Karstic-Action with Nicole Peyrafitte, prompted by Betsy Damon, with Ben Chadabe on percussion. Gallery 198, June 18, 2026.

The Eutrophic Paintings

Their title refers to condition of aquatic body environments—saturated/depleted with nutrients, organic matter & intense biological activity. The paintings developed through my repeated visits to the tidal wetlands of Plumb Beach, where water, vegetation, birds, mud, debris & seasonal change continually reshape the landscape.
The downstairs gallery included six Eutrophic paintings made from papers carrying the traces of Karstic-Action performances created with Pierre Joris in Luxembourg in 2021.
The papers were originally placed beneath the actions to receive pigment, water, footprints, gestures, spills & the residue of the performances. I brought them back to Brooklyn, where they remained in my studio before being reworked & transformed into autonomous paintings.

FREEE & Overstory

FREEE was created in solidarity with the women of Iran. The Karstic-Action was accompanied by a text I wrote loosely based on a Hymn to Inanna, with music by Miles Joris-Peyrafitte.

During the action, sheets of paper were deliberately placed across the floor. They protected the surface while also acting as active receivers of pigment, water, bodily movement & the physical energy of the performance.

One of these floor grounds later became OVERSTORY. I returned to the residual paper, working into what the action had deposited there. The traces of the live event became the ground for another stage of the work.

Vote 2024

The exhibition also included four VOTE paintings created for Action VOTE in 2024. These works bring together Karstic-Actions & Bird-State: the word VOTE is painted through direct, gestural action, while each bird emerges from sustained observation & encounter. The series includes a Great Blue Heron, Great Egret, American Kestrel & Yellow-crowned Night Heron.

Bird-State

The upstairs gallery presented works from Bird-State, my ongoing practice of repeated encounters with birds, place & the other-than-human world.

Bird-State begins with going to see birds. I return to particular locations through changing seasons, often traveling by foot, bicycle or kayak. I observe, photograph, film, draw, write & listen. What is absorbed through these encounters moves across photographs, films, paintings, drawings, notebooks & texts.

The installation brought together several bodies of work connected to birds encountered along the Brooklyn shoreline & during travels to Japan & Iceland.

Cranes

The crane installation included paintings, photographs & field notebooks developed through encounters with Red-crowned Cranes in Hokkaido, Japan.
The photographs register precise moments of behavior, movement & relation. The paintings carry the color, rhythm, temperature & physical intensity of being present with the cranes in the winter landscape. The notebooks hold another register of the encounter: observations, drawings, notes, questions & immediate responses made in the field.

Purple Sandpipers — Amor de Lonh

The Purple Sandpiper installation, presented in the upstairs gallery, included photographs, two pastel paintings & the film Amor de Lonh: Calidris maritima. I encountered these birds repeatedly along the Brooklyn shoreline—resilient small bodies moving across rocks & surf, no matter the weather. The title Amor de Lonh—“love from afar”—describes a relation sustained through distance, an intimacy built through repeated return & attentive observation.

Fulmars

The fulmar works emerged from observations made in Iceland. Photographs & a field notebook brought together the birds’ physical presence, movement, habitat & the notes made during those encounters.
The notebook is not preparatory material for a finished work. It is part of the work itself: a space where perception continues through drawing, language, memory & bodily experience.

Leporellos

Public Programs

June 26: Betsy & I presented short films during Living Practices, followed by a conversation moderated by Alex Jones.
June 30: I presented Bird-State: A Performative Reading, bringing together my poetry, images & voice, alongside selected poems by Pierre Joris. The performance extended the exhibition into language & sound, moving through field observations, encounters with birds, projected images & the poetic dialogue between our distinct practices.

A Busy Summer 2026

A Busy Summer 2026


Greetings!

It feels good to be this busy — carrying Pierre’s work forward, & keeping the promise I made to him: to keep going with my own work.
So this spring/summer is full. Pierre’s Reader is out. the Poets House three-months exhibition of his notebooks opens on July 14 —his 80th birthday. His gravestone has been erected. My exhibition with my dear friend, the indefatigable & inspiring eco-artist Betsy Damon, is around the corner. Ariane Daguin & I keep cooking along on Voilà Voilà!!, our cooking channel. This Saturday I will be reading from Pierre’s work at Stand4 Gallery as part of Jennifer Jo McGregor’s beautiful exhibition, Charting the Narrows & the Harbor . And Rigwreck, titled after Pierre’s poem & for which he wrote the libretto, is now out from The Crossings the four-times Grammy winning choir conducted by Donald Nally.
Below you’ll find all the information, links & dates. Please come in person if you can — and if you are too far away, you can always follow along online.
Thank you for reading.

À bientôt,
Nicole

DAMON / PEYRAFITTE

 

Betsy DamonWATER, the Agent of Life
Nicole PeyrafitteMementos of a Life Practice

OPENING 6PM
with Action Performance Painting 7PM
Ben Chadabe (percussions)
Thursday June 18
It all reading happened!



COLLECTIVE ACTION CONVERSATION
Saturday, June 20, 4pm
Betsy Damon and Lauren Bon

LIVING PRACTICES
Friday, June 26, 7pm

Short Films & Conversations with Betsy Damon & Nicole Peyrafitte
Moderated by Alex Jones

BIRD-STATE: A PERFORMATIVE READING
Tuesday, June 30, 7pm
Nicole Peyrafitte
Please join Nicole Peyrafitte at the gallery for Bird-State: A Performative Reading, an evening of bird poems, field notes, voice, and embodied attention presented within the exhibition.
She will read from her ongoing Bird-State series, alongside selected bird poems by Pierre Joris.
Rooted in fieldwork, memory, shores, migration, and the other-than-human world, the evening will bring together poetry, observation, and performance as part of Peyrafitte’s living practice of Bird-State.

198 Gallery
198, 24th Street, Brooklyn, NY 11232

https://www.flipsnack.com/6877BAF7C6F/damon_peyrafitte_card-_web

THE READER IS OUT!



In Between Keep Moving: A Pierre Joris Reader (2026)
Edited by Ariel Resnikoff & Pierre Joris
Afterword by Charles Bernstein.
In Between, Keep Moving: The Pierre Joris Reader gathers, for the first time, the range of Pierre Joris’ work across poetry, prose, poetics, translation & collaboration. Spanning more than half a century, it includes a previously unpublished memoir section and traces his lifelong movement through languages, thresholds & translingual word-worlds. The volume opens toward the continuing life of his work. 


PIERRE JORIS’ NOTEBOOKS

Poets House

Please save the date:
Pierre Joris’ Notebooks Exhibition
Poets House, New York
July–October 2026
Opening July 14 on Pierre’s 80th birthday
Reading with guests soon TBA

Before Pierre’s notebooks travel to the Centre National de Littérature du Luxembourg to be fully digitized and made available to the world, Poets House will present a three-month exhibition curated by John Vincler & the Poets House team, with events, readings & seminars to be announced soon.


VOILÀ VOILÀ ! 

Are you following Voilà Voilà?
With Ariane Daguin, we created a lively cooking series rooted in friendship, Gascon know-how & the pleasure of cooking with confidence. Find us, follow us, & comment on: InstagramFacebookTikTok or YouTube 
We have now posted to 40 fun, instructive food videos — and counting — and have also been leading joyful hands-on workshops at AOOA Farm, with more coming up. Next workshop: August 9 — Omelettes!  


READING PIERRE’S POEM AT STAND 4 GALLERY

I am delighted — & deeply moved — to have been invited by Jennifer Jo McGregor to read Pierre’s poems as part of her beautiful exhibition, Charting the Narrows & the Harbor. Pierre launched Interglacial Narrows at Stand 4 in 2023 (full reading here). So it was especially meaningful to read his poems to echo Jennifer’s work on the Narrows, the harbor, shoreline weather, maps, memory, land & water.

Was May 23 — 3-4 PM 
414, 78th Street, Brooklyn, NY11209


GREENWOOD: Pierre’s resting place

Pierre’s gravestone has now been erected in Green-Wood Cemetery in Brooklyn, NY.He is located in Cedar Dell, also known as Druid Circle — one of the cemetery’s most historic areas, with some of its oldest grave markers dating back to the mid-eighteenth century. Pierre & I used to visit this place.Go read him a poem & bring your binoculars too — Green-Wood is a prime birding destination.  
Look for lot 44602 

LAST NOTE!

Pierre was very fond of his several collaborations with The Crossing, and it is wonderful to see Rigwreck — titled after Pierre’s poem, with music by composer Gabriel Jackson and text/libretto by Pierre Joris — now out, performed by the award-winning choir The Crossing under conductor Donald Nally. Streaming links are gathered here, and physical CDs are available through The Crossing’s album page.

Nicole Peyrafitte /  Karstic-Action : Overstory  / Pastels, Pigments, Egg Yolks on Paper / 78”x42”

Pierre’s Book Launch & More News 

Pierre’s Book Launch & More News 

Hello,

I hope this note finds you well, resilient & able to enjoy replenishing moments. 
 On my side, it’s been busy — which is good, because adjusting to life without Pierre is not easy. Grief is a quite a journey, I’m trying to embrace it as best as possible while keeping active, which is, thankfully, my nature.
One major focus has been getting Pierre’s selected poems POASIS II ready. He had finished the manuscript before he passed and had done most of the copyediting. It’s now fresh off the press — and it really looks beautiful.
Please save the date for the upcoming NYC Memorial & POASIS II book launch:

Friday September 12, 2025
Pierre Joris — Poasis: Many Tongues, Many Fires
The Poetry Project at St. Mark’s Church
131 E 10th St, New York, NY
Reception 7:15PM
Reading: 8PM sharp

The program will feature poetry, music, & tributes reflecting the scope of Pierre’s decades-spanning, boundary-crossing work. — and most of all POASIS II (Wesleyan University Press), selected poems from 2000–2024. Copies will be available at the event, and you can also order the book online if you cannot attend.
Book link: https://www.weslpress.org/9780819501950/poasis-ii/

 On this occasion, we are thrilled to launch the Pierre Joris Fund for Radical Reversal. Pierre cared deeply about this program & had a lasting impact on its founder, poet and Executive Director Randall Horton. While earning his PhD at SUNY Albany after returning to society from the carceral state, Randall found in Pierre a mentor who recognized the urgency of his voice: “I am not Dr. Horton without Pierre.”         
The fund supports arts programs for young people at the Jefferson County Youth Detention Center in Birmingham, Alabama — providing books, art supplies, and teaching artists to foster healing, self-discovery, and a powerful turn toward a brighter future.

Donate
Other Events:

Philadelphia — September 10, 2025
The Kelly Writers House, UPENN
Special Episode of PoemTalk: Pierre Joris & Jerome Rothenberg
6:00 PM in person
Co-sponsored by: The Creative Writing Program
RSVP here to attend in person 

Albany — September 27, 2025
Pierre Joris — Poasis & Beyond: Always the ManyPart 1: Panel — 4:00–5:30 p.m. in UAlbany Campus Center Auditorium,
Sponsored by NYSWI and Department of English.
Part 2: Reading & Performance — 6:30 p.m. in UAlbany Campus Center Multipurpose Room following a 5:30 p.m. reception. Hosted by Department of English with support from NYSWI. More details TBA.
Presented by The English Department, New York State Writers Institute, and University at Albany, as part of NYSWI Book Festival
Turning to My Own Projects:

Bird-State in Iceland!

Next week I leave for a two-week artist residency at Gullkistan, Center for Creativity in Iceland. I’m excited to immerse myself in the landscape, document birds, and work in that extraordinary environment while pursuing my ongoing project Bird-State.If you missed the spring exhibition Bird-State: Amor de Lohn, there is a full documentation of the project here

Voilà! Voilà Kitchen! September Launch

With my great friend Ariane Daguin — co-founder of D’Artagnan, culinary celebrity, & champion of sustainable, high-quality ingredients — we are launching Voilà Voilà! Kitchen, a social media cooking channel.

We’re thrilled to continue a family tradition — our parents collaborated on gastronomy projects starting in the 1960s. Our videos bring that spirit to today’s kitchen: quick, flavorful recipes, a good dose of Gascon humor, and the great joy of cooking together.

And yes! we’re definitely counting on all of you to help make us viral!
So please, tune in soon to “like” & comment!!

You will find us on:
Instagram: @voilavoilakitchen 
Facebook: @voilavoilakitchen 
TikTok: @voilavoilakitchen 
YouTube:@voilavoilakitchen 

Keep in touch!

Essential Shore / Permeable Future…  Ferry Event

Essential Shore / Permeable Future…  Ferry Event

On Saturday, May 3, I had the pleasure of leading a special event aboard the ferry between Corlears Hook and Bay Ridge, organized through the Ferry Community Outreach Initiatives & Jeannine Bardo, director of Stand4 Gallery, as part of the exhibition Essential Shore / Permeable Future, curated by Jennifer McGregor. My focus for this project was the Purple Sandpipers—a migratory, medium-sized shorebird that winters along the Shore Promenade in Bay Ridge, right by the Belt Parkway. They arrive from their high Arctic breeding grounds in Northern Canada in late November or early December and stay with us until late April or early May. By the time of the event, the Purple Sandpipers had already migrated north for the season, so we didn’t get to see them. To make up for it, here is a PDF with more information about the Purple Sandpipers and details about my installation, for those who couldn’t make it to the gallery. The exhibition runs through June 21, so let me know if you plan to visit—I’d love to meet you.

This blog offers a few impressions, documentation, and glimpses—including notes from the day itself, as well as reflections and materials related to its preparation. Uncertain about the weather, I had prepared some materials in case we had to remain inside the ferry. Fortunately, it turned out to be a gorgeous, sunny day, and we were able to observe from the deck, followed by a lovely stroll on the pier and through the Narrows Botanical Garden.

The group included longtime residents of the Lower East Side, Brooklynites from Bed-Stuy & Sunset Park, and myself from Bay Ridge. While the tour focused primarily on birds and nature, I always feel it’s important to contextualize and better understand the shores we journey alongside. I gathered some basic information—some of it drawn from a previous project—to share with the group, and since we didn’t have time to cover everything during the ferry ride, I’m collecting it here as a memento.

First, the list of birds & creatures we saw along our excursion:
Double-crested Cormorant, Laughing Gull, Ring-billed Gull, Herring Gull, Great Black-backed Gull, American Black Duck, Brant, Canada Geese, Common Tern, House Sparrow, Gray Catbird, Common Grackle, Mourning Dove, Fish Crow (and their nest), Painted Turtle, Box Turtle.

Since we boarded the ferry at Corlears Hook…

Corlears Hook holds a rich and layered history, evolving from a Lenape settlement to a Dutch farm, a site of colonial violence, a bustling 19th-century port, and later, an infamous red-light district. The name comes from Jacobus van Corlaer, a 17th-century Dutch schoolmaster, and also from the shape of the land itself—jutting into the East River like a hook. In the 1820s, the area became notorious for its brothels and, according to some sources, even gave rise to the term “hooker.”

Indigenous Presence and Displacement

Originally marshland, Corlears Hook was used by the Mareckawick group of the Canarsee tribe—part of the Lenape nation—as a canoe landing site. The settlement, called Naghtongh, was covered in swamps and beach land. The Wecquaesgeek, a Munsee-speaking band of the Wappingers people (closely related to the Lenape), lived along the east bank of the Hudson in what is now the Bronx and Westchester.

On February 25, 1643, Dutch Governor Willem Kieft launched coordinated attacks on Weckquaesgeek and Tappan encampments at Corlears Hook and Pavonia (across the river in present-day New Jersey). That night, 120 Native men, women, and children were massacred—an event that remains a brutal marker of early colonial violence. More info here

Manhattan: The Name and Its Meaning

The name Manhattan originates from the Lenape language, specifically Munsee. The word manaháhtaan combines manah- (“gather”), -aht- (“bow”), and -aan, a grammatical element used to form verb stems. It’s often translated as “the place where we get bows” or “place for gathering the (wood to make) bows.” This name, still in use today, carries with it traces of the island’s original use and inhabitants.

The Brooklyn Bridge

The Brooklyn Bridge was the first fixed bridge to connect Manhattan and Brooklyn across the East River. Designed by German immigrant John A. Roebling, construction began in 1870 and the bridge officially opened on May 24, 1883. At the time, it was the longest suspension bridge in the world, stretching 1.1 miles. Before its construction, ferries were the primary means of crossing between Manhattan and Brooklyn. The bridge not only revolutionized transportation but also physically united two formerly separate cities—Brooklyn and New York—forever changing the shape of the city.

Roebling died of tetanus after a surveying accident crushed his foot, and his son, Washington Roebling, took over the project. Washington later developed caisson disease—commonly known as “the bends”—while working in the pressurized foundations. Though physically incapacitated, he continued to oversee construction with the crucial assistance of his wife, Emily Warren Roebling. The bridge took 13 years to complete and claimed the lives of 27 workers.

It’s also worth noting that U.S. Senator Henry Cruse Murphy—considered a founding father of Brooklyn—drafted the bill authorizing the construction of the bridge from his mansion, which once stood on the grounds of what is now Owl’s Head Park in Bay Ridge. He also founded The Brooklyn Eagle and served as one of its first editors, shaping both the physical and cultural landscape of the borough.

In 2005, while researching for another project, I wrote a song in honor of the Brooklyn Bridge. It was later recorded and included on my album The Bi-Continental Chowder. You can listen to the track below with photo taken then.

Liberty Enlightening the World

As the ferry continued south, we passed the Statue of Liberty. Officially titled Liberty Enlightening the World, the statue was a gift of friendship from the people of France to the United States. It was dedicated by President Grover Cleveland on October 28, 1886.

Constructed in France over the course of nine years (1875–1884), the statue was then disassembled, shipped across the Atlantic, & reassembled on Liberty Island in just four months after the pedestal was completed. The full process—from initial conception in 1865 to final dedication in 1886—spanned 21 years and required massive fundraising efforts in both France and the United States.

PAGGANK a.k.a : Governors Island

Originally known to the Lenape people as Paggank (“Nut Island”) for its abundance of nut-bearing trees, the island was later named Noten Eylandt by the Dutch, then Anglicized to Nutten Island, and finally became Governors Island by the late 18th century. In 1755, during the French and Indian War—a North American theater of the global Seven Years’ War—the island was first used as a military installation. The war saw British colonies (population ~2 million) clash with French colonies (~60,000), each side supported by different Native American allies. The French, being outnumbered, relied heavily on their Native alliances.

Bay Ridge: A Neighborhood with Deep Roots
Our final stop was Bay Ridge, located in southwestern Brooklyn—a neighborhood with a rich history dating back to the 17th century. Originally part of the Dutch town of New Utrecht, the area was once known as Yellow Hook, named for the color of its soil.

During the American Revolution, Bay Ridge played a small but strategic role due to its location along New York Harbor and proximity to the Narrows. On August 22, 1776, British troops under General William Howe landed near what is now Bay Ridge, using the shoreline as a staging ground for the Battle of Long Island (also known as the Battle of Brooklyn), the first major battle following the Declaration of Independence. The British landed just south of Bay Ridge, near Gravesend Bay, and advanced north through Brooklyn, eventually outflanking and defeating American forces led by General George Washington. The loss forced the Continental Army to retreat to Manhattan, preserving its strength for future battles.

Narrows Botanical Gardens: A Community Oasis
Established in 1995 by local volunteers, the Narrows Botanical Gardens transformed 4.5 acres of neglected parkland along Shore Road between Bay Ridge Avenue and 72nd Street into a vibrant green space. This community-led initiative features a variety of themed gardens, including a lily pond, butterfly garden, Zen garden, and a Native Plant Garden with a turtle sanctuary. It also serves as a sanctuary site for the Wild Bird Fund, offering a safe habitat for recovering and released birds. Maintained entirely by community volunteers, the gardens are a beloved oasis for both people and wildlife in Bay Ridge. They host various events throughout the year.

To me, it was a really special day—full of small discoveries, good company, and moments of connection across neighborhoods. I’m deeply grateful to everyone who joined, shared, and made time to be part of it.
Special thanks to Jeannine Bardo, director of Stand4, and to Sarah and Anika from the Ferry Community Outreach team for making it all possible.
I hope these notes, reflections, and glimpses offer something back to those who were with us, and to those following along from afar. You can view the full album of photos from the day and the exhibition here. Meanwhile à bientôt ! and keep in touch!

Essential Shore / Permeable Future

Essential Shore / Permeable Future

As most of you know by now, Pierre left us on February 26th. It’s now mid-April, and I can’t say it’s getting any easier. The waves of grief still surge with great intensity—but, as he instructed us:

not to worry:
you had your birth
given you / you
will be
given your death —

in between
keep moving


Pierre Joris (1946-2025)

And so, we move on—back to the work he so fully supported us in doing. A few weeks ago, I wrote this blog reflecting on our Domopoetics—e.i. our shared life & collaboration—& posted photos about his earthing here.
Before he passed, Pierre had completed two books that will be published as follow:

Fall 2025: Poasis II: Selected Poems 2000–2024 (Wesleyan University Press, 2026)
Early 2026: In Between Keep Moving: A Pierre Joris Reader — edited by Ariel Resnikoff & Pierre Joris (Contra Mundum Press, 2026)
Many gatherings, readings, conferences, & celebrations of Pierre’s life and work are currently being scheduled. I’ll continue to share updates as more details come in.

Meanwhile, let me share a personal update that’s very dear to me. It is such an honor to be among the artists selected for:

Essential Shore / Permeable Future
Bay Ridge Public Art & Ecology Biennial

April 19 – June 21, 2025
Curated by Jennifer McGregor

Opening Reception Saturday April 19 , 3:00 – 6:00
the Gallery opens for viewing 12:00

Stand4 Gallery 
414 78th Street
Bay Ridge, Brooklyn New York 11209 US MAP

Participating Artists:
Cynthia AlbertoGraciela CasselBetsy DamonThomas GallagherSunk Shore: Clarina Mac Low and Carolyn HallJan MunAngel Nevarez/Valerie TevereSeema Lisa PandyaNicole PeyrafitteAnna Bessie Ratner (The Other Almanac), Hannah SalyerBrooke Singer.

When I was invited to submit a project for the Essential Shore / Permeable Future exhibition, I knew it had to be compatible with our current domopoetic life—which had come to include serious health challenges. It had to be something rooted in care, resilience, & presence—something that could fold within the unpredictable, fragmented rhythm of our days, & it did.

The title of my piece is Amor de Lohn: Calidris maritima (Love from Afar: Purple Sandpipers). It is part of my ongoing Bird State project, & this iteration focuses on the presence of a colony of High-Arctic breeders that winter along Shore Road & Gravesend Bay, just steps from our home. For years, the Purple sandpipers’ return has been a quiet source of strength for me. Documenting them—through photography, video, writing, and drawing—became a practice I could sustain in brief, nourishing moments, attuned to the tide, the weather, and the shifting rhythm of our days, all while staying close to Pierre.

For years, we observed, counted, & loved “the Purples” together. This year, he couldn’t go see them—but I brought them to him. He watched the videos, saw the painting in progress, read the early text drafts, the photos, & what would become the exhibition poster. He was proud, supportive, encouraging, & wanted me to carry on —I promised I would.

This work is dedicated to Pierre, with all the love that shaped it.

Photo by Betsy Damon

Website for the exhibition & programming is here but here are the events I will be part of:

— May 3rd : I will lead a Bird Tour on NYC Ferry  (details coming soon)
— June 11 : Part of the Film Screening at Alpine Cinema (evening)

I am deeply grateful to Jennifer McGregor (curator) & Jeannine Bardo (gallery director) for their supportive, loving & caring curation through such a challenging time.
I hope to see you at the opening, but if you can’t make it, let me know & we’ll find another day to go together.

 Resist! Persit & Care!
Nicole

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