Featured in TIME OF THE POET REPUBLIC

Featured in TIME OF THE POET REPUBLIC

 

Thank you! Poet Curator Mbizo CHIRASHA for featuring my work in such details on the  TIME OF THE POET REPUBLIC.

“Time of the Legend with Acclaimed Performance Poet Nicole Peyrafitte.

“Performance Poet Nicole Peyrafitte your dub verse is mind raving and lyrical gymnastics scintillates lowspirited readers to resurrect themselves to activity. Your poetry heaves with heart throbbing rhythm, that of a dense canopy of papaya tree dancing on the passing wind and as well dangling with ripe yellow ready to be give us Vitamin C. Your art is mature and provokes  the world to rise  and see dots of darkness in the sun  as such to realize patches of  dirty  on the  undergarments  of the moon .Your philosophy concocted imagery raves and cracks our mental boxes, like how stray tendrils of marijuana smoke spirals into the nostrils of a saint, a nonsmoker and wrecks his brains to speak to himself or herself. Mind boggling. Thus, the power of your voice is extraordinary”….more

 

 

 

Recent & online

Recent & online

Recap of works recently published.
Immense gratitude to all the publishers
Care    Persist    Resist!

FAIM! French Online Poetry Festival Image may contain: one or more people, text and closeup

Indefatigable performer/ curator Pauline Cathrinot curated & mc’d a great Online Festival! 
“Impérieuse. Elle grossit, gronde, épaissit. Une extraordinaire FAIM, faimgalle, fringale. Elle se lève, nous dresse. Oui, on a FAIM! de corps proférants, de cous tendus en dynamiques de cordes, de larynx émus et d’amygdales vibrantes, de ce qui lève monte s’accroît quand la chair est parole, et qu’elle se jette sur nous. Qu’on l’attrape, la saisit la gobe. De langue à langue, et par dévorations.” … more from Pauline here

our contributions:

 

 

Le Chant de la Sirène Journal   No photo description available.

“Chant de la Sirène began as a weblog in 2007 by Laura Hinton, on the topic of the hybrid literary arts. First focusing on the radical New York poetry & multi-media arts scene through which Hinton had been floating adrift, the original blog came to offer a wider array of poetry book reviews, artist-poet interviews, poet tributes, conference travelogues, memoirs, and guest essays… (more here)

5 Pages & a text from my Daily Carnets in here

 

The A-Line  Journal

the A-Line

Convergence 5: Apocalypse Now and Then    

By  on July 1, 2020
“The announcement of this issue was circulated some months ago, but these past weeks have reassured the editors of the necessity of an enterprise seeking to draw together the best of contemporary progressive thought in order to provide the intellectual and emotional sustenance we need to survive this enormous contraction, and continue the work of overhauling our society. Although the A-Line was founded two years ago as a response to felt crisis, I believe we’d all agree that our current political order—home and beyond—has reached a not-to-be-doubted inflection point beyond which we can neither see, nor even guess. “Apocalypse Now and Then”—in its varied figurative and referential valence—lends its name to this timely issue that includes  essays, poems, and images taking up the many dimensions  of this national and global emergency— from the COVID-19 pandemic, to climate change, economic disaster, as well as the spectacle of violence and lawlessness at the highest levels of governance that currently defines US society. (more here)

Nicole : A text & 3 paintings in the  The A-Line  Journal

RED RAT

Pierre Joris:

from: DIARY NOTES MARCH-MAY 2020

Voilà! Live Cooking Videos – while confined

Voilà!  Live Cooking Videos – while confined

Friday April 24th was the finale of season #1 of our Voilà Lunchtime livecast adventure!
First and foremost THANK YOU to all the viewers, & a very special thank you to all the regulars from literally all around the globe. During these 24 daily livecast rendez-vous, you provided sustained warm & joyful support which gave me a some sense of purpose in these trying times while we are all confined, waiting for the virus to pass.
By now, sadly most of us know someone who has succumbed to the coronavirus, and we are also all watching — or no longer watching in order to stay sane — the ineffective & disgusting political debacle. Even if most of us are safely at home, and in a somehow privileged situation — I sure feel mine is that — we still all go through the emotional roller coaster, so if the show helped make your ride smoother, I am super happy. You need to know that it sure eased mine tremendously, so gratitude to you all for watching & cheering! I really know that I also learned a lot from the whole process.
Do not hesitate to reach out via messenger at any point if you have cooking questions of just want to keep in touch; I would love that!
Meanwhile, stay healthy, take great great care & eat the best you can.
Much much love from the two of us.

 

P.s. The videos of all 24 shows are available, clickable, watchable further down on this page, & they all have notes & links with useful information..


A little background:

Once upon a time I was a cook! I never liked the term chef, though I did run kitchens & was called one! I never really missed the restaurant business, but never stopped cooking. In the early years of this blog I posted more recipes & articles on food, I taught cooking & went as far as taping a demo cooking show, and filming several recipes.  My aim has always been to empower people in the kitchen, not to impress them. I appreciate sophisticated techniques & truly enjoys highly skilled chefs but I was never into that kind of cooking.  My background is in French regional Southwestern food but I have been in the US since 1987 and learned so much about food here. Getting together with Pierre Joris (here producer/dishwasher/husband) in 1989 was crucial for my artistic future but also for my cooking experience: it is through Pierre that I met Diane Rothenberg & Margie Byrd who are my mentors in many ways. Both are great cooks and had open tables for many years. Diane, an anthropologist, tremendously expanded my perspectives on the history of food; Margie taught me many American staples — the best corn bread ever! & then there is my childhood friend Ariane Daguin from d’Artagnan who is an inspiration has been incredibly supportive of my food related performance work. She was an early supporter of La Garbure Transcontinentale/The Bi-Continental Chowder, a performance that included texts, videos, cooking and sharing the result with the audience. Pierre & I went on doing more of these performance & a memorable one was at the Jardin des Cinq Sens et des Formes Premières in Provence; this performance included the making of a Primordial Soup, readings, vidéos, music by Denis Brun and a Karstic-Action Painting. Here are some pix.

But my cooking debut were really early! I was born in Luchon (French Pyrenees) into the 5th generation of a family of hoteliers-restaurateurs (Hotel Poste et Golf) & my very early cooking training started when I was 6 years old with my grand-father chef Joseph Peyrafitte (whose father Louis was also a chef). Later, when I took over the family kitchen, I went to intern at award winning restaurants in France –1982: Restaurant Vanel, Toulouse, 1991: Hotel de France, Auch. Both places had 2 stars at the Michelin Guide  — then I got a few awards myself!

Anyway! forwarding to today: like everyone else we are trying to make the best of this imposed confinement & I always find solace in cooking & eating well.  So Pierre & I decided to share the prepping of our simple & healthy home cooking live. We are live both on Facebook & Instagram Monday-Friday from 12 to 12:30 —sometimes a bit longer.  Sharing & live-casting our cooking is really in line with our Domopoetic* practice.

What do we eat/cook & why?
A few years back for serious health reasons we switched to healthier, low glycemic foods & adopted the 16/8 intermittent fasting method that involves eating only during an 8-hour window & fasting for the remaining 16 hours. So we eat a variety of foods but avoid pasta, rice, potatoes, sugar, processed flour & we favor veggies, legumes, eggs, healthy whole grains, & responsibly raised meat, poultry, & seafood, some fruits…Well, you get the idea & you will discover the details in the videos below. We will keep adding them as we go. Never hesitate to ask questions or request foods recipes you would like to see demonstrated or talked about.

Voilà! Bon Appétit, stay home & healthy!

“Voilà Lunchtime” were daily live-casted on FB & IG from March 24 -April 24 2023 M-F 12:00 EST

* Domopoetics is our collaborative attempt to think, feel & make us respons/able to this/our world & it responsive to us. We do this via our private lives & public actions & performances that meander dialogically between Nicole Peyrafitte’s drawings & videos, voice-, textual & cooking work & Pierre Joris’ poems, translations & essayistic thinking.

Memorabilia:

Sitting next to a chaud-froid de volaille at the hotel Kitchen
Hotel Poste & Golf Bagnères-de-Luchon (here circa 1965)
My grand-pa Chef Joseph Peyrafitte
San-Diego 1990 : Nicole, Pierre Franey, Ariane Daguin
Award 1981
Award 1982

11 Women of Spirit at Salon Zürcher & Karstic-Action

11 Women of Spirit at Salon Zürcher & Karstic-Action
1- Kingston, NY. Cardinal (2020) 29.5 x 38.5 
2-Kingston, NY. Jaune d’Oeuf (2020) 29.5 x 38.5

I am very much looking forward to 11 Women of Spirit, a mini-art fair at Zürcher Gallery, 11 female artists representing themselves in the space. I will be showing recent Karstic-Action paintings.
Opening Reception: Monday, March 2, 6 – 8 PM
Closing Reception: Sunday, March 8, 5-7 PM
Open to the Public:
 Tuesday, March 3- Saturday, March 7: 12-8pm
Sunday, March 8: 12 – 7pm 
Galeriezurcher.com
33 Bleecker Street, New-York, NY.

 

 

Below, the video documentation & above, two paintings of our latest Karstic-Action at The Lace Mill in Kingston N.Y. Together with Michael Bisio (bass), Patrick Higgings (guitar & electronics), Pierre Joris (poetry), we wove, carved, painted, played, occupied, sung, worded , danced a 50-minute improvised action. 

Voilà! I am looking forward to see you in March and together let’s Persist Resist & Care and keep our spirits up !

Happy 2020 & more!

Happy 2020 & more!

Pastels on Canvas 52×24 — Fall 2019
Thank you Guillermo Gregorio for the permission to use this beautiful music
Rodchenko : Suite Part Two (1999) Album Faktura (released 2002 by hat Art/Hat Hut Records, Switzerland)

A HAPPY 2020 TO YOU ALL!

Pierre is finishing up several books for 2020 publications and gearing up for many upcoming trips & I locked myself into my studio making new paintings for upcoming exhibitions.
2020 is going to be very busy and we’re already scheduling 2021. See below for details & snapshots from 2019, but first a few dates to save:

EVENTS:

NICOLE & PIERRE
Sunday January 19,  2 PM – 8 PM:
Steve Dalachinsky Memorial
Artist Space
11 Cortland Alley, New York
Event details here

PIERRE
Saturday January 25,  7:00PM:
Poetry Reading, The Gallery at Atlas
11 Spring Street, Newburgh, NY 12550

NICOLE & PIERRE
Sunday February 2,  4:00PM:
Trialogues performance with Mike Bisio (bass)
The Lace Mill
500 Frank Sottile Blvd
Kingston NY 12401

PIERRE
Saturday February 8
Torn Page Presents
A Staged Reading of  “The Agony of Ingeborg B” 
play by Pierre Joris & directed by Vera Beren
435 West 22nd Street/ New York NY 10011
doors 730pm /reading 8pm

February 21
Spiritual Exercises: Robert Kelly’s Science of Becoming Aware
Louisville Conference on Literature & Culture
1:30 PM – 3:00 PM  Room: Humanities  219

February 26-29
Abu-Dhabi, UAI — HAYE FESTIVAL
Thursday 27:   1.p.m.:  Conversation with Adonis, Sorbonne University Abu Dhabi
Friday 28:        1.p.m.: PJ in conversation with André Velter
                        8:30- 10 p.m. Celebratory Readings for Adonis

NICOLE
March 2-8

“The 11 Women of Spirit” Salon Zürcher 21st Edition
Opening: March 2, 2020, 6-8 PM
open Tuesday, March 3 to Saturday, March 7, from 12 – 8 PM 
Sunday, March 8 from 12 – 7 PM
Closing Party: Sunday March 8, 5 – 7 PM
ZÜRCHER GALLERY, NEW YORK
33 Bleecker Street, New York, NY 10012

 

PIERRE
Friday May 1
Celebration reading by & party for Robert Kelly on the occasion of the publication of “A City Full of Voices: Essays on the Work of Robert Kelly” (Contra Mundum Press).
The Poetry Project / St. Mark’s Church
131 E. 10th Street, New York, NY 10003

March 5-7
Rice University, Houston TX,
Paul Celan Conference — Keynote Speaker

NICOLE & PIERRE
June 7
Kings College, University of London
Jerome Rothenberg & Eric Mottram celebration

PIERRE
June 11-12
University of Chicago Center Paris
Keynote at Conference “Courts-circuits et visions disjonctées : œuvre et réseaux de Claude Pélieu/ Short-circuits and Fused Visions: The Works and Networks of Claude Pélieu”.

October 2-3
Celebrating Celan at 100: Witnessing for the Witness.
Conference at Bard College, Annandale-on-Hudson
DTBA

November 16, 6 p.m.
Celan at 100: Early Poetry & Posthumous Prose Books
Pierre Joris & Paul Auster
Deutsches Haus, NYU
DTBA

PUBLICATIONS:
Given that 2020 will be the 100th birth- & the 50th death-year of Paul Celan, there will no doubt be a number of other events around his life & work in which Pierre will partake. His final two Celan translations are coming out in summer & fall of this year: “Microliths  they are, Little Stones” (Posthumous prose) from Contra Mundum Press & “Memory Rose into Threshold Speech: The Collected Earlier Poetry” from Farrar Strauss & Giroux.
& to RUSH even further ahead & then right back to SUM UP the year ending now:

NICOLE & PIERRE
February  2021
Galerie Simoncini, Luxembourg
Multi-floor Karstic Action exhibition, action-paintings, cooking & readings.

Notes from the Domopoetics studio:

So, some of our intense 2019 activity — such as the October/November visit to the prehistoric caves & overhangs of the Dordogne and, majorly, the 5-day internship at the Gargas caves in the Pyrenees, close to where Nicole was born & raised — was specifically undertaken as r&r (no, not rest & recuperation: reconnaissance & research) for the upcoming Karstic Action show.  

Those 2 weeks came after a first stop in Paris (& a 3-day trip to the Frankfurt book fair by Pierre) & continued with a week in our place in Bourg d’Oueil (r&r? no: family visits, & first tentative steps at making clay pots that may or may not become the food vessels for the 2021 actions) followed by 8 days that were supposed to be quiet, meditative (r&r? finally!) days in Venice with a yoga workshop, visits to galleries, churches & the Biennale. Except of course that we arrived as the Acqua Altas equinox tide flooded 90% of the city, the worst in 1/2 century, so that we also spent a fair amount in r&r (recon & research) to find, first rubber boots and then open food stores. Still, an intense time was had, too much to report here, though mention must be made of what was one of our favorites pieces at the Biennale: Lawrence Abu Hamdan’s (recipient of the 2019 Turner Prize) single channel video installation “Walled Unwalled” — for which, as it turned out, son Joseph was the colorist.

We returned to Brooklyn to the happy news that Joseph — as producer, this time — and Cameroon-American film-maker Ellie Foumbi’s feature project “Mon père, le diable” had been selected for funding in the 2019/2020 edition of the Venice Biennale College! Hopefully no one will need rubber boots for the film’s premiere scheduled for the Mostra de Venice end of August 2020!

Miles has been just as busy this year, with his second feature, “Dreamland” — starring (and co-produced by) Margot Robbie — premiering to very good reviews at the Tribeca Film Festival in April. This fall “Gaslight” a mystery story produced by QCODE & written & directed by Miles aired to excellent response. You can check it our here. He has meanwhile also written a new horror-thriller film script — “The Hunter and the Fox” — for Annapurna Pictures & is at one of the many (& somewhat confusing to us) pre-production stages as he will also direct this film. 

In resistance and persistence forward into the new decade. Stay strong, keep your spirits up and do keep in touch,

Nicole & Pierre
 

2019 snapshots

 

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