Voilà! Live Cooking Videos – while confined

Voilà!  Live Cooking Videos – while confined

Friday April 24th was the finale of season #1 of our Voilà Lunchtime livecast adventure!
First and foremost THANK YOU to all the viewers, & a very special thank you to all the regulars from literally all around the globe. During these 24 daily livecast rendez-vous, you provided sustained warm & joyful support which gave me a some sense of purpose in these trying times while we are all confined, waiting for the virus to pass.
By now, sadly most of us know someone who has succumbed to the coronavirus, and we are also all watching — or no longer watching in order to stay sane — the ineffective & disgusting political debacle. Even if most of us are safely at home, and in a somehow privileged situation — I sure feel mine is that — we still all go through the emotional roller coaster, so if the show helped make your ride smoother, I am super happy. You need to know that it sure eased mine tremendously, so gratitude to you all for watching & cheering! I really know that I also learned a lot from the whole process.
Do not hesitate to reach out via messenger at any point if you have cooking questions of just want to keep in touch; I would love that!
Meanwhile, stay healthy, take great great care & eat the best you can.
Much much love from the two of us.

 

P.s. The videos of all 24 shows are available, clickable, watchable further down on this page, & they all have notes & links with useful information..


A little background:

Once upon a time I was a cook! I never liked the term chef, though I did run kitchens & was called one! I never really missed the restaurant business, but never stopped cooking. In the early years of this blog I posted more recipes & articles on food, I taught cooking & went as far as taping a demo cooking show, and filming several recipes.  My aim has always been to empower people in the kitchen, not to impress them. I appreciate sophisticated techniques & truly enjoys highly skilled chefs but I was never into that kind of cooking.  My background is in French regional Southwestern food but I have been in the US since 1987 and learned so much about food here. Getting together with Pierre Joris (here producer/dishwasher/husband) in 1989 was crucial for my artistic future but also for my cooking experience: it is through Pierre that I met Diane Rothenberg & Margie Byrd who are my mentors in many ways. Both are great cooks and had open tables for many years. Diane, an anthropologist, tremendously expanded my perspectives on the history of food; Margie taught me many American staples — the best corn bread ever! & then there is my childhood friend Ariane Daguin from d’Artagnan who is an inspiration has been incredibly supportive of my food related performance work. She was an early supporter of La Garbure Transcontinentale/The Bi-Continental Chowder, a performance that included texts, videos, cooking and sharing the result with the audience. Pierre & I went on doing more of these performance & a memorable one was at the Jardin des Cinq Sens et des Formes Premières in Provence; this performance included the making of a Primordial Soup, readings, vidéos, music by Denis Brun and a Karstic-Action Painting. Here are some pix.

But my cooking debut were really early! I was born in Luchon (French Pyrenees) into the 5th generation of a family of hoteliers-restaurateurs (Hotel Poste et Golf) & my very early cooking training started when I was 6 years old with my grand-father chef Joseph Peyrafitte (whose father Louis was also a chef). Later, when I took over the family kitchen, I went to intern at award winning restaurants in France –1982: Restaurant Vanel, Toulouse, 1991: Hotel de France, Auch. Both places had 2 stars at the Michelin Guide  — then I got a few awards myself!

Anyway! forwarding to today: like everyone else we are trying to make the best of this imposed confinement & I always find solace in cooking & eating well.  So Pierre & I decided to share the prepping of our simple & healthy home cooking live. We are live both on Facebook & Instagram Monday-Friday from 12 to 12:30 —sometimes a bit longer.  Sharing & live-casting our cooking is really in line with our Domopoetic* practice.

What do we eat/cook & why?
A few years back for serious health reasons we switched to healthier, low glycemic foods & adopted the 16/8 intermittent fasting method that involves eating only during an 8-hour window & fasting for the remaining 16 hours. So we eat a variety of foods but avoid pasta, rice, potatoes, sugar, processed flour & we favor veggies, legumes, eggs, healthy whole grains, & responsibly raised meat, poultry, & seafood, some fruits…Well, you get the idea & you will discover the details in the videos below. We will keep adding them as we go. Never hesitate to ask questions or request foods recipes you would like to see demonstrated or talked about.

Voilà! Bon Appétit, stay home & healthy!

“Voilà Lunchtime” were daily live-casted on FB & IG from March 24 -April 24 2023 M-F 12:00 EST

* Domopoetics is our collaborative attempt to think, feel & make us respons/able to this/our world & it responsive to us. We do this via our private lives & public actions & performances that meander dialogically between Nicole Peyrafitte’s drawings & videos, voice-, textual & cooking work & Pierre Joris’ poems, translations & essayistic thinking.

Memorabilia:

Sitting next to a chaud-froid de volaille at the hotel Kitchen
Hotel Poste & Golf Bagnères-de-Luchon (here circa 1965)
My grand-pa Chef Joseph Peyrafitte
San-Diego 1990 : Nicole, Pierre Franey, Ariane Daguin
Award 1981
Award 1982

11 Women of Spirit at Salon Zürcher & Karstic-Action

11 Women of Spirit at Salon Zürcher & Karstic-Action
1- Kingston, NY. Cardinal (2020) 29.5 x 38.5 
2-Kingston, NY. Jaune d’Oeuf (2020) 29.5 x 38.5

I am very much looking forward to 11 Women of Spirit, a mini-art fair at Zürcher Gallery, 11 female artists representing themselves in the space. I will be showing recent Karstic-Action paintings.
Opening Reception: Monday, March 2, 6 – 8 PM
Closing Reception: Sunday, March 8, 5-7 PM
Open to the Public:
 Tuesday, March 3- Saturday, March 7: 12-8pm
Sunday, March 8: 12 – 7pm 
Galeriezurcher.com
33 Bleecker Street, New-York, NY.

 

 

Below, the video documentation & above, two paintings of our latest Karstic-Action at The Lace Mill in Kingston N.Y. Together with Michael Bisio (bass), Patrick Higgings (guitar & electronics), Pierre Joris (poetry), we wove, carved, painted, played, occupied, sung, worded , danced a 50-minute improvised action. 

Voilà! I am looking forward to see you in March and together let’s Persist Resist & Care and keep our spirits up !

Happy 2020 & more!

Happy 2020 & more!

Pastels on Canvas 52×24 — Fall 2019
Thank you Guillermo Gregorio for the permission to use this beautiful music
Rodchenko : Suite Part Two (1999) Album Faktura (released 2002 by hat Art/Hat Hut Records, Switzerland)

A HAPPY 2020 TO YOU ALL!

Pierre is finishing up several books for 2020 publications and gearing up for many upcoming trips & I locked myself into my studio making new paintings for upcoming exhibitions.
2020 is going to be very busy and we’re already scheduling 2021. See below for details & snapshots from 2019, but first a few dates to save:

EVENTS:

NICOLE & PIERRE
Sunday January 19,  2 PM – 8 PM:
Steve Dalachinsky Memorial
Artist Space
11 Cortland Alley, New York
Event details here

PIERRE
Saturday January 25,  7:00PM:
Poetry Reading, The Gallery at Atlas
11 Spring Street, Newburgh, NY 12550

NICOLE & PIERRE
Sunday February 2,  4:00PM:
Trialogues performance with Mike Bisio (bass)
The Lace Mill
500 Frank Sottile Blvd
Kingston NY 12401

PIERRE
Saturday February 8
Torn Page Presents
A Staged Reading of  “The Agony of Ingeborg B” 
play by Pierre Joris & directed by Vera Beren
435 West 22nd Street/ New York NY 10011
doors 730pm /reading 8pm

February 21
Spiritual Exercises: Robert Kelly’s Science of Becoming Aware
Louisville Conference on Literature & Culture
1:30 PM – 3:00 PM  Room: Humanities  219

February 26-29
Abu-Dhabi, UAI — HAYE FESTIVAL
Thursday 27:   1.p.m.:  Conversation with Adonis, Sorbonne University Abu Dhabi
Friday 28:        1.p.m.: PJ in conversation with André Velter
                        8:30- 10 p.m. Celebratory Readings for Adonis

NICOLE
March 2-8

“The 11 Women of Spirit” Salon Zürcher 21st Edition
Opening: March 2, 2020, 6-8 PM
open Tuesday, March 3 to Saturday, March 7, from 12 – 8 PM 
Sunday, March 8 from 12 – 7 PM
Closing Party: Sunday March 8, 5 – 7 PM
ZÜRCHER GALLERY, NEW YORK
33 Bleecker Street, New York, NY 10012

 

PIERRE
Friday May 1
Celebration reading by & party for Robert Kelly on the occasion of the publication of “A City Full of Voices: Essays on the Work of Robert Kelly” (Contra Mundum Press).
The Poetry Project / St. Mark’s Church
131 E. 10th Street, New York, NY 10003

March 5-7
Rice University, Houston TX,
Paul Celan Conference — Keynote Speaker

NICOLE & PIERRE
June 7
Kings College, University of London
Jerome Rothenberg & Eric Mottram celebration

PIERRE
June 11-12
University of Chicago Center Paris
Keynote at Conference “Courts-circuits et visions disjonctées : œuvre et réseaux de Claude Pélieu/ Short-circuits and Fused Visions: The Works and Networks of Claude Pélieu”.

October 2-3
Celebrating Celan at 100: Witnessing for the Witness.
Conference at Bard College, Annandale-on-Hudson
DTBA

November 16, 6 p.m.
Celan at 100: Early Poetry & Posthumous Prose Books
Pierre Joris & Paul Auster
Deutsches Haus, NYU
DTBA

PUBLICATIONS:
Given that 2020 will be the 100th birth- & the 50th death-year of Paul Celan, there will no doubt be a number of other events around his life & work in which Pierre will partake. His final two Celan translations are coming out in summer & fall of this year: “Microliths  they are, Little Stones” (Posthumous prose) from Contra Mundum Press & “Memory Rose into Threshold Speech: The Collected Earlier Poetry” from Farrar Strauss & Giroux.
& to RUSH even further ahead & then right back to SUM UP the year ending now:

NICOLE & PIERRE
February  2021
Galerie Simoncini, Luxembourg
Multi-floor Karstic Action exhibition, action-paintings, cooking & readings.

Notes from the Domopoetics studio:

So, some of our intense 2019 activity — such as the October/November visit to the prehistoric caves & overhangs of the Dordogne and, majorly, the 5-day internship at the Gargas caves in the Pyrenees, close to where Nicole was born & raised — was specifically undertaken as r&r (no, not rest & recuperation: reconnaissance & research) for the upcoming Karstic Action show.  

Those 2 weeks came after a first stop in Paris (& a 3-day trip to the Frankfurt book fair by Pierre) & continued with a week in our place in Bourg d’Oueil (r&r? no: family visits, & first tentative steps at making clay pots that may or may not become the food vessels for the 2021 actions) followed by 8 days that were supposed to be quiet, meditative (r&r? finally!) days in Venice with a yoga workshop, visits to galleries, churches & the Biennale. Except of course that we arrived as the Acqua Altas equinox tide flooded 90% of the city, the worst in 1/2 century, so that we also spent a fair amount in r&r (recon & research) to find, first rubber boots and then open food stores. Still, an intense time was had, too much to report here, though mention must be made of what was one of our favorites pieces at the Biennale: Lawrence Abu Hamdan’s (recipient of the 2019 Turner Prize) single channel video installation “Walled Unwalled” — for which, as it turned out, son Joseph was the colorist.

We returned to Brooklyn to the happy news that Joseph — as producer, this time — and Cameroon-American film-maker Ellie Foumbi’s feature project “Mon père, le diable” had been selected for funding in the 2019/2020 edition of the Venice Biennale College! Hopefully no one will need rubber boots for the film’s premiere scheduled for the Mostra de Venice end of August 2020!

Miles has been just as busy this year, with his second feature, “Dreamland” — starring (and co-produced by) Margot Robbie — premiering to very good reviews at the Tribeca Film Festival in April. This fall “Gaslight” a mystery story produced by QCODE & written & directed by Miles aired to excellent response. You can check it our here. He has meanwhile also written a new horror-thriller film script — “The Hunter and the Fox” — for Annapurna Pictures & is at one of the many (& somewhat confusing to us) pre-production stages as he will also direct this film. 

In resistance and persistence forward into the new decade. Stay strong, keep your spirits up and do keep in touch,

Nicole & Pierre
 

2019 snapshots

 

The Writing of Carolee Schneemann at The Poetry Project NYC

The Writing of Carolee Schneemann at The Poetry Project NYC

Join us at The Poetry Project, Thursday, October 10 | 8 PM for a celebration of her writing!
With readings by Zohra Atash, Lilah Dougherty, Judy Hussie-TaylorPierre JorisDavid Levi-Strauss, Meredith Monk, Nicole PeyrafitteGeorge QuashaJerome Rothenberg, Cecilia VicuñaAnne Waldman.

Carolee Schneemann was a writer and artist of intimacy — bloody, feline, mortal, ancient, and tender. Her understanding of intimacy or union included the weaving of written and uttered language, movement and gesture, and the visual register of images throughout her art-making practice. And it also extended to the way she lived, in close friendship with many poets, forming community with fellow writers, artists, and makers across a number of scenes, circles, disciplines, challenging and inspiring and turning on her friends and collaborators. In a 1975 letter Carolee Schneemann wrote to a male friend attempting to explain gender and art to her, “I BELONG TO NATURE NOT TO THESE ARTIFACTS YOU CHOOSE. I AM ELECTRICAL VULVIC BOLT IN TIME.” 

Her work — simultaneously provocative, unsettling, defiant, romantic, and magnetic — has often been critically understood through sensuality and the body. While this uncompromising embodiment is crucial, in her writing we find guiding notes and framing toward a more expansive engagement with her project, always moving towards the reckoning pleasure of liberation. The writing, like her work across other mediums, is always intense, precise, rigorous, with her psychic and political senses attuned through her vision to a guiltless, boundless freedom. 

 

RSVP

The Poetry Project
St. Mark’s Church | 131 E. 10th Street
New York, NY 10003
P: 212.674.0910 | F: 212.529.2318
www.poetryproject.org | [email protected]

Subway Directions | Walking Directions | Cycling Directions | Driving Directions

Steve Dalachinsky has departed

Steve Dalachinsky has departed

It is impossible to wrap my head around Steve’s departure. I met Steve and Yuko at an Art opening for Mary Beach in the early 2000.  When I permanently moved to NYC in 2007, they were incredibly supportive. They took me around and Steve got me several readings &  introduced me to a lot of great music & musiciens.

When I asked them to be part of my film Thing Fall Where They Lie along with Eric Sarner & Katalin Pataki, they were once again totally supportive. We shot for one week. These two pairs of artists had never met each other and their backgrounds were four different countries and four different mother-tongues. What was supposed to be some sort of historical portrait of Bagnères-de-Luchon, my hometown in the French Pyrenees, became an exercise in poetic drift through their personal  stories. They all fell in love with each other, they shared love for jazz and poetry — their sensitivities coupled with a joyous curiosity took over. For seven days, shooting in cinéma vérité style, I followed them in the once upon a time glamorous spa where we all re-imagined the lives of a famous jazz violinist and of Karl Marx’s grandson, both buried in Bagnères-de-Luchon. 

Steve was inexhaustibly funny, smart, bringing so much to the group dynamic of group — & yes! He was happy for a full week! I personally never saw him so consistently happy for one full week.  I spent countless hours editing the film, and it truly was a joy, I loved looking at Steve on the screen, his soft gaze, his pursing lips, his deambulations….

We have not lost Steve, he departed before us.  Thank you for being you, Steve, and to you Yuko, be strong! We need you! Much much love and we hug you tight.

I am so blessed to have known you, Steve: you enriched and brought much joy to my life. I love you forever.

Film Trailer:
https://vimeo.com/261864528

Steve’s last reading — shortly before the massive brain hemorrhage. He transitioned at 5:04 next morning:

New York Times obit

Art Forum obit

 

 

1 2 3 59