The night before I left for a workshop with rhythm master Bernard Lubat in Uzeste, I made a tourin in our fire place. This soup of humble origin is mostly known as tourin à l’ail —sopa de ajo in Spanish or garlic soup in English. Many variations are possible & in this case I used the ingredients available in the house: 1 tomato, 1 head of garlic, 1 onion, old bread & goose fat.

In a cast iron dutch oven I thoroughly sauteed the thinly sliced onion in goose fat. Meanwhile I crushed 3 cloves of garlic & a sprig of fresh rosemary in the mortar. After adding them to the pot, I removed the latter from the heat to avoid bitterness — over-sauteed garlic becomes bitter. I crushed the tomato in the mortar & added it to the onion garlic mixture. With no stock available, I added plain water to obtain the desired consistency. Coarse sea salt, freshly ground pepper & a dash of piment d’Espelette are added for seasoning & then the pot is returned to the open fire for about 15/ 30 minutes.

With thick slices of old country-style bread rubbed with garlic & drizzled with goose fat lining the bottom of the plate, hot soup is poured in et voilà! le tour est joué & you get a magnificent & most satisfying soup. A beaten egg is often added before serving; this is especially enriching if you have only garlic to make the soup. Whoever needed canned soup? Pas moi!

Photos Pierre Joris & N.P

As I was picking  meat for the week at the Park Slope Food Coop, the “Wild Boar Mini Roast,  Distributed by d‘Artagnan” looked like the perfect piece for Pierre and I to make into one of our  celebration dinner sfor our 21st anniversary month —neither of us remembers the exact date, so that’s a good excuse to have a few celebration throughout the month of January.

It would have been better if I had let the cute little roast marinate for a day or even a few hours, but when I came home after shopping I sat at my desk and didn’t get up until 7:30 pm. Pierre said: “It takes about three days to make one of the boar recipe from Luxembourg.” Well, I took on the challenge and with great anxiety I turned it into one of my fast dinners. I first went to the d’Artagnan website to check out the product information:

The D’Artagnan Wild Boar Mini-Roast is made from the knuckle and is pre-tied to hold its shape and allow for even cooking temperature. Simply brown in a hot sauté pan with sliced garlic and rosemary to seal. Then place in the oven about 375F to finish the cooking or until internal temperature reaches 155-160F. Remove from oven and let rest before slicing. Serve either hot or cold. Great on sandwiches!

D’Artagnan Wild Boar come from a large free-range ranch outside of Quebec. The animals graze freely on nuts, acorns, and grasses while being supported at times of need by whole grains. You’ll find the meat leaner than large-farm pork and richer in taste, but smooth and succulent in texture.

Alright, sounds good, though I don’t like the “pre-tied” device, which is an elastic trussing net. I discarded it  and replaced it with some d’Artagnan bacon and decided to just braise it in the oven. Voilà the procedure:

Preheat oven to 375F.
Take one sliced onion, 1 cup of sliced celery root, 1 sliced carrot, 6 slices of chopped  bacon, one cup of unsweetened cherries and about a dozen heads of shitake mushrooms, and place it all in a roasting dish. Generously coat if with olive oil, add salt pepper. Mix  well.

Coat the meat with oil, salt pepper. Wrap with  uncured apple wood smoked bacon. Place roast on top of the veggies and that’s how it goes into the oven.  As we read above, the legit internal cooking temperature is 155-160F, but that is too much for me. Our roast was 1.31lb, I cooked it for 40mn, the temperature reached 144F and this was a little over cooked for us, but that is a matter of taste and choice. In the same oven cook fingerling potatoes in another roasting pan,  lightly coated with oil and seasoned with salt and pepper.

Once the meat is cooked to your liking, let it rest and transfer the vegetables & cooking juices into a sauté pan with one tablespoon of melted butter and a dash of oil. Sauté the veggies and flambé with  Armagnac.

Finish up the fingerlings potatoes with fresh butter and parsley.
Slice the meat, keep it warm, pour the juice into the veggie pan, add  another dollop of butter in the pan to give it a shine!
Set up you plate and serve quickly.
Really simple, delicious and if you are a Park Slope Food Coop member, not  expensive either ($10.10 for the roast, a little more if you order at d’Artagnan but you don’t have to work for the discounted price and it can be delivered to your house!). Though very tasty with a rich and lightly gamy taste, I have to confess that the meat was a little tough, the marinade would have certainly ‘cured’ the problem, but other than that it was amazing. The hints of tartness (unsweetened dry cherries) combined with the distinguished taste of celery root, the shitake mushrooms’ texture, the sweetness of the carrots & onions, the mildly wild taste of the boar and the hint of Armagnac, plus the bottle of the inexpensive, but good Côte du Rhône Les Garrigues to wash it down, made it a very pleasing experience indeed.

It took me only 15/20 minutes to prepare it, 40 minute to roast it, and 10 minutes to finish it up. We had a few slices left over that will make a great sandwich for lunch. Enjoy le sanglier!

Feierstengszalot this what they call this delicious salad in the Grand-Duchy of Luxembourg. As a literal translation in English it means: Flintstone salad, or in French une salade de silex! I can assure you it tastes better than it sounds. But why does this delicious salad made out of left overs of pot roast bear this name? Certainly an investigation I will conduct during my next trip to Luxembourg. My husband, Pierre Joris a native of Luxembourg,  doesn’t know either but he made it for lunch yesterday and it was truly delicious. A few nights ago I had made a Pot au Feu —pot roast— and he used the leftovers to compose his version of the Feierstengszalot. So yes, first you  have to make a pot roast, which I highly recommend it in this season and you can find my recipe here.

Pierre’s Feierstengszalot

Cut the leftover of the pot roast meat into small pieces— (maybe the meat was tough and black in the old day and might have looked and tasted like flint-stones?
Add diced raw celery,  diced boiled potatoes, a lot of finely chopped onions and lots of chopped parsley.
Dress with a Dijon mustard vinaigrette: 1 tbsp mustard, 1 tbsp wine vinegar, 3 tbsp oil of olive oil, 1 crushed garlic clove.
Garnish with slices of hard boiled egg.
In the French version they add left over of cooked carrots, turnips and  diced cornichons. Capers, watercress, shallots, chives, dill & tarragon are in the original Luxembourgian recipe but we didn’t have any so Pierre made due with what was available. In cooking, unlike in baking or pastry, there is always for creativity & adaptation!

I arrived Monday afternoon in Bourg d’Oueil after a long but pleasant trip. My Pyrenean home is closer to Spain than to Paris and I am not kidding: it takes 15 minutes by car to reach the Spanish border and about 8 hours to reach Paris!  My travels began Sunday at 1:30 p.m. from our Brooklyn home and I finally reached Bourg d’Oueil on Monday at 3:30 p.m. local time or 9 a.m. Brooklyn time. After taking two planes, two buses, and two car rides I reached our little house in the village at the far end of the Valley. As my intention was to cook a soup on a live fire, the priority was to light the fire.

I had planned to get some veggies in town before my last climb up to the mountains. I arrived too late to get to the market, so my only option was the local supermarket. The offerings where pretty sad and I couldn’t come to terms with buying any of these mass produced veggies. I placed a call to my good friends Joseph & Paulette asking them if they had anything left in their Bourg d’Oueil garden. They had already winterized the garden but had plenty of veggies in their Luchon garden. Not to worry, said Paulette, Joseph will bring me leeks, celery, potatoes, chards, carrots & onions later on. Great! I can always count on them. I did hit the cheese counter and was pleased to be able to get a couple of local cheeses.

The most delightful part of the trip is the 17 kms climb from Luchon to Bourg d’Oueil. Despite the weather forecast there was neither rain nor snow but a slightly overcast sky that let me have a partial view of my mountains. Driving through the villages triggers images: In Benqué Dessus et Benqué Dessous,  it is Jules’ face, the Fournier’s house, and the cromlecs above them. Before Saint Paul d’Oueil,  the sign for Saccourvielle brings up my friend Emingo, who makes the best goat cheese I ever had, and Mme Labry, a writer who was my French teacher in high school. In Mayrègne,  I look at the old “kiosque” where I use to go eat crêpes in the summer as a child; I also think of the recently deceased mayor who was key on having me perform the Bi-Contimental Chowder/ La Garbure Continentale in the Valley.  Then comes Caubous, Cirès, and at this point I can’t think of anything else than trying to get a glimpse of the Peirahitta (my totem!)  that sits at the pass of Pierefite. And finally I reach Bourg d’Oueil the very last village at the end of the valley. I park the car and start schlepping my stuff to the house. It is almost impossible to reach the house by car, the street is so narrow,  evidence if need be that this place was not build for car traffic!

After a quick tour of the house, I lit the fire — we are at 1400m or 4600 feet  here, so the air is nippy on this November afternoon. Once the fire was going strong I started opening my stuff, got my art supplies out, opened a bottle of wine, got the cheese out and waited for Joseph et Paulette who brought the veggies at around 5:30 p.m. — they had added a jar of duck fat and one of honey, all home produced. While the soup was cooking I worked at a drawing that includes some attempts at writing in Gascon. And then, accompanied by the sound of the stream running under the house, the crackle of the fire and the occasional ringing of the church bell, I savored my soup. The flavors are indescribable. They call on all my senses and the experience is totally gastoorgasmic!

So here is my soup:
2 generous spoons of duck fat
1 onion
2 small leeks
3 carrots
1 branch of celery
3 leafs of chard
Salt & fresh ground pepper
Grated brebis cheese

Sauté all the vegetables in order in the duck fat then add water and let cook until done. The soup is even better the next day, and of course feel free to add other veggies like beans, turnips, cabbage….

Now can you smell? Just try:

The previous post showed  how to clean  squids while saving their precious ink to make the wonderful recipe Calamares in su Tinta,  Calamars à l’Encre or Squid in their own Ink. But first let me share some sweet family history about this dish.

When we first moved to this country in 1987, my son Joseph was 6. When he started school we were told there was a cantina where the kids could buy their lunches. At first we were all eager to blend in so we decided to go with it. First day of school, and little Joseph comes home appalled reporting that there was no lunch served, only pizza and hot dogs! AND kids who brought their own lunches had peanut & jelly sandwiches —to this day I don’t think he would consider eating one unless truly starved. We then decided to pack him a real lunch, and that didn’t include sandwiches, that was picnic food, he was used to French public schools ,then family style, sit down three course meal! So I purchased a thermos box and packed him a hot lunch for many years. His favorite one was to take to school: squid in their own ink — needless to say not a popular item to trade lunch! It is still one of his favorite dishes and he actually did partake of this batch. Alors, voilà la recipe for Joseph Mastantuono and for poet Jonathan Skinner who asked for it.

Calamars à l’Encre

5 lbs of squids cleaned, ink sacks set aside
1 medium chopped onion
1 peeled & seeded tomato
4 cloves of garlic chopped fine
1/2 bottle of red wine —French Languedoc or Spanish—
1/3 cup of  Spanish Brandy
3 tablespoons Arrowroot flour ( or two of regular flour)
1/2 cup of chopped parsley for garnish

- Cut the cleaned and drained squid cones into rings —  I don’t cut the tentacles though some people do and I cut the rings about 1 inch thick.

-Warm a skillet with 3 tablespoons of olive oil, add the onions, cook gently until slightly golden.

-Meanwhile prepare your ink:

with a pestle (or the back of a spoon) apply pressure to the sacks to force the ink through the mesh of the strainer. Pour the red wine over the sacks in the strainer and keep working until you have extracted the ink from the bags. Save.

-Add the cut & dried squid to the skillet, mix well with the onions. Once the squid start getting opaque and stiffen add the Brandy and flambé safely (if you don’t flambé is not a big deal). Mix well.

- Add garlic, tomato & mix well.

-Add ink with wine, mix well.

-Sprinkle the three table spoons of arrowroot on top. Mix very well.

-Add more wine, if needed, so that liquid covers squid to 3/4.

-Bring to a gentle boil, then turn it down to a simmer and cook for 30 minutes or so. Your squid have to be very tender.

I like serving it with saffron rice, but white rice is good too.
Bon Appétit! And please report if you make it.

Yes, you can buy clean squid but then you are depriving yourself of what will give you one of the most exquisite dishes: Calamare en su Tinta or Squid in its own ink. You can also buy the ink in a little plastic bag and make the sauce from that… but it ain’t the same, trust me. Most of the time it gets too black and too strong. If you use what comes with the creatures you will cook, it is always the perfect amount. Yes! Cleaning squid can be tedious and time consuming, so why not have a  squid cleaning party? I am providing you all with the necessary info to do it yourself. Below, there is a video, though I am also including a step-by-step with pictures.

1- Make sure you buy very fresh squid. I do not like to use the frozen squids for this purpose. I am lucky enough to have fresh ones available at the Bay Ridge Green Market. I order them a few days in advance and request very fresh ones. Susana —who works for Glen at American Seafood stand— is always eager to please her customers. She also shares great Peruvian recipes that I still need to try. Let’s begin the cleaning process:

1- Grasp the tail section firmly in your hand and grab the head section below the eyes as shown in the picture. Pull gently but firmly in order to detach the inside as deep as possible.

2- Find the silvery ink bag located in the inner section of what you pull from the squid. Gently lift it, detach it and save it in a stainer.

3- Turn the tentacles upside down and apply pressure between the eyes in order to pop out the beak

4- Hold the head part of the squid below the eyes and with a sharp knife cut  the tentacles below the eyes, being careful not to cut into the eyes. Rinse and place into a colander (the tentacles, not the eyes…)

5- From the edge of the body part remove the pen shaped spine that looks like plastic. They can be saved to make fun collage projects with kids.

6- Peel the reddish outer membrane away, remove & discard. You can also peel the fins & also save them. Wash the body, squeeze to make sure nothing left inside. If you are very picky you can turn the inside out to make sure it is very clean — I don’t do that. Once clean, reserve in the colander with the tentacles.

Now the video: Don’t have great expectation — Miles shot it with my very low end camera, so that’s the best we could do. I think it will help. Watch it a couple of time before you try working the squid, it will help and give you confidence. At first you might break an ink bag or two, not a big deal, just clean up in between. Next post will be the recipe for the Calamari in the Ink, but once the cleaning is done it’s a breeze. O! One more thing:  5lbs  of  squid for 10 people should do it.

I assisted Pierre in making Tchakchouka, a dish he remembers from his time in Algeria. It is a kind of ratatouille — but to me it is the better dish. The recipe appears in many Mediterranean traditions. I have found Algerian, Jewish, Tunisian,  Moroccan & Kabile recipes, all have pretty much the same ingredients with variations of meat or eggs — at times coming close to the famous huevos rancheros! We made two versions: one with eggs and another without, which we served with lamb chops.  You can eat tchakchouka hot, luke-warm or cold, as you prefer, or as the weather suggests. You will not regret the effort and can make big batches of this super delicious fragrant summer dish. Don’t wait, make yours now!

Tchakchouka

Ingredients:
3 tablespoons olive oil
1 onion, sliced thin
2-3 garlic cloves, minced
3 tomatoes, peeled, seeded, and diced
2-3 green & red peppers,  roasted, peeled & sliced
1 cup of water
Paprika, ground coriander seeds
Fresh coriander & parsley chopped
Salt & pepper, to taste
4 eggs (optional)

Recipe:

*Roast the peppers over your stove. When charred wrap them in newspaper. Wait until they cool off & then peel them, discard seeds, cut lengthwise into thin strips.

*Dip tomatoes in boiling water for one minute. Remove & cool, then peel, seed & dice.

* Heat the oil over a medium flame in a deep skillet. Stir in the paprika & ground coriander seeds and let cook slightly to color the oil, about 10-15 seconds.

* Add the onions, sauté until onions are translucent and wilted but not browned, about 4 minutes; add garlic, cook for another minute or so.

* Add tomatoes and bring to a rapid simmer. Add peppers, parsley & fresh coriander, water and salt and pepper. Reduce heat to low, and simmer, covered, for about 15-20 minutes. Add more water as needed.

* If you want to add eggs, form four small indentations in the simmering peppers to hold the eggs. Crack eggs, one by one, into a small bowl and slip each egg from the bowl into an indentation.

* Cover and simmer another 10 minutes or so until eggs are cooked through.
Voilà! & enjoy!

In order to fully support Spain during the The World Cup Final I decided to make sangría. It was very  à propos as we were invited to the home of Spanish friends and neighbors. They had made a delicious buffet of empanadas, calamari, arroz negro (black rice, made with sepia ink), chorizo, queso manchego. They had decorated their entire living room red & gold & I think my sangría matched the intensity of the event!

Most sangría recipes call for sweetening ingredients—sugar, honey, ginger ale, seven up…etc. These ingredients are the main reason why sangría hang-overs are dreadful. I worked out a recipe that requires none of the above and and will save you from a terrible headache. I usually drink the first round straight, then I add a few ice cubes and if I sense it is going to be a long drinking stretch I cut it with  seltzer  — always in my glass never in the main container. Needless to say,  this is a sangría con conjones! —meaning strong— so use in moderation, not like I did, though no headache this morning!

Recipe:
4 bottles of wine (Tempranillo)
1 cup Cointreau
1/2 cup Spiced rum (I add a vanilla bean to the bottle)
1/2 cup Spanish brandy
3 oranges
1 Lemon
2  apples
4 peaches
Marinate overnight in the fridge

I marinate the fruits overnight which means that they will loose they original color but will have flavored the wine that much more! Salud!

Viva España & congrats to “La Roja” for a beautiful World Cup!

I don’t eat much pasta but before a gig I like to have an early dinner that will give enough energy to be able to sing three hours later and pasta & lox is perfect for me.
So on Monday before going to our gig at The Local 269 with Pierre Joris & Michael Bisio — snippet of concert here— I made us a salmon, scallion & fusili express dish. My friend Dawn Clements —who is opening another drawing extraordinaire at The Boiler today— had given me a delicious piece of lox from the Acme Smoked Fish store in Brooklyn. It took me 14 minutes to make the dish including cooking the pasta:
Cook  pasta al dente.
Cut pieces of lox.
In a pan bring one cup of heavy cream to  a boil and add scallions cut at a bias  for one minute.
Combine it all.
Add a little salt, a lot of fresh ground pepper & shavings of Parmesan cheese….
Voilà c’est tout!

Beside the drawing concert series there is another series in constant progress and below are 2 pieces  Also in serious progress the Augustus Saint Gaudens script with  new discoveries on Bernard Saint Gaudens his father, and a dead line coming up very soon for the script.

The bok choy in the fridge was calling for immediate attention. As it was Sunday and brunch time I felt like something a little more festive than bok choy and rice! Some sort of a soufflé came to mind. I preheated the oven to 375º. I sliced the bok choy vertically into 6 sections, then braised it in a mix of butter and olive oil with 2 cloves of minced garlic. While that was cooking, I separated 5 eggs — yokes in one bowl and whites in an other. Pierre grated 1 cup of various cheeses he found in the cheese box. I whipped the egg whites very firm. Mixed the cheese with the previously beaten egg yolks, and added salt, pepper and nutmeg. Now folded half of the egg whites in the egg yolk + cheese mixture, then folded in the second half of  egg whites. Poured the mixture over the braised bok choy and put it into the oven for ?…sorry I didn’t look at the time — at some point I just felt it was done and it was! But it cannot be more that 15/20 minutes. This doesn’t come out as a real high soufflé but again I call it oeufs soufflés — not “SOUFFLAY”! It is very  good simple and stress free, unlike soufflay can be!

Another thing I have been doing is to keep a better record of the drawings I make at events — especially at concerts. Below are a few of the “blind” concert series drawings. I draw (almost) without  looking a the page and let eye and rhythm guide the hand. I also do take some notes on the back for possible later poems.

The Bill Frisell Series
Concert at Blue Note on February 28th 2010: Bill Frisell with Paul Motian and Ron Carter. This is a summing up of the note I sent to my friend Steve Dalachinski after the  concert:

..loved the set they played
it was very bare and beautiful
very essential, not too many notes!
so delicate…
carter seems to have difficulty breathing,
motian was doing his thing very well while frisell was carefully and tactfully tying and lifting them up…
it works better for some songs than others but overall it really did and it filled my soul.
also it was my first time seeing them live and i just couldn’t get my
eyes off carter’s fingers… so loooong, so square… a giant’s hand! and
the way he uses them on the bass…..

The Matthew Shipp Series:
This concert was yesterday, Sunday March 14th, at Gathering of The Tribes, that is Steve Cannon’s magical place. We gathered at 5:00 PM and the concert started at 5:30PM with as an opening surprise a short snippet featuring the Nicholas’ brothers —see video below– from the 1943 movie Stormy Weather. Though it happens in a liminal time and space, the connections between  Matt Shipp and the Nicholas’ brothers reveal immanent evidences. Matt Shipp’s dexterity, agility and  feline playing has the same mesmerizing quality as the brothers’ dancing. I didn’t time the concert but my attention didn’t drop or drift for a single minute. Matt takes us onto a musical journey that deliberately references several genres played at once with a sheer emotional clarity that can make you laugh or cry and even laugh & cry at once. At some moments it felt like he was channeling Satie & Bach playing Fly me to the Moon together! One of my favorite Shipp recordings is on his latest CD 4D. It takes the old repetitive (stupid) French song Frère Jacques and manages to turn it into an obsessive frightening dramatic Hitchcockian episode.
Voilà! If you want to see the drawings at a better resolution just click on them.